UK Commonwealth (ex. Canada) rights to SABRINA by Nick Drnaso to Alex Bowler at Granta, a timely and articulate graphic novel about the disappearance of an airman in the U.S. Air Force, and the depiction of a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens, and a contemplation of the dangers of a fake news climate, by Samantha Haywood on behalf of Drawn and Quarterly. Contact: email@example.com
YIDDISH FOR PIRATES is a brilliant novel filled with Jewish takes on classic pirate tales – fights, prison escapes, and exploits on the high seas – but it’s also a tender love story. Rich with puns, colourful language, post-colonial satire and Kabbalistic hijinks, YIDDISH FOR PIRATES is also a compelling examination of mortality, memory, identity and persecution, from one of this country’s most talented writers.
This singular novel is the winner of the 2017 Stephen Leacock Memorial Medal for Humour, and was shortlisted for both the Governor General’s Literary Award for fiction and the Scotiabank Giller Prize.
We’re happy to be celebrating yet another achievement for Gary Barwin! For more information about this year’s winners, please visit: Thespec.com/yiddish-for-pirates-wins-hamilton-literary-award.
A memoir/fiction/thought experiment/fantasy by Harold Johnson, author of the bestselling nonfiction work and GG finalist FIREWATER, about his brother Clifford, a scientist in the making whose life was cut too short — To Sarah MacLachlan and Janie Yoon at House of Anansi Press for Fall 2018 (World).
Deal arranged by Stephanie Sinclair.
ANZ rights to Harriet Alida Lye‘s THE HONEY FARM, in which two budding artists move to a remote farm and begin a romance, as creepy, inexplicable events, possibly orchestrated by the enigmatic woman in charge, start to unfold around them, to Kimberley Atkins at Penguin Random House Australia (Previous rights sold to Liveright US, in a pre-empt and in Canada to Nimbus Press, Summer 2018) by Stephanie Sinclair.
Kimberley says, “I personally can’t remember a time that I found a novel so atmospheric and foreboding – it’s a really clever thriller that seduces you from the start, then builds to that thunderous conclusion.”
“Beguiled by the promise of a writers’ retreat, Silvia leaves her staunchly Catholic family home for the uncertain territory of a honey farm in Northern Ontario. The Honey Farm offers readers an accomplished meditation on love, creativity and the wonder of the natural world, and a gripping exploration of a community that is perhaps not as it seems.”
—Cathy Marie Buchanan, New York Times bestselling author of The Painted Girls
“I loved this book. The way Harriet Alida Lye captures and registers moments of encounter with gentleness and specificity, like bees bumping against flowers—there’s magic afoot here.” —Lauren Elkin, author of Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London (A New York Times Book Review Editor’s Choice)
“Mysterious, suspenseful, and unnerving, The Honey Farm offers a thrilling narrative that examines the distorted realities and conflicting perceptions that often exist in the quietest places.”
–Iain Reid, bestselling author of I’m Thinking of Ending Things, an NPR Best Book of the Year, 2016
“In THE HONEY FARM, Harriet Alida Lye has created a modern-day Eden, shot through with innocence and foreboding. The landscape of this gripping debut is alive with tension and temptation, and I found myself seduced alongside Lye’s unforgettable characters. Laying bare faith, identity, and love, this book presents a world where nothing is quite as it seems.” —Adrienne Celt, author of The Daughters
“The Honey Farm delves into the intimate mysteries of art, madness, religion, and love through a story built with beautiful language and lush sensory detail. Gothic and subtly menacing, it’s a book as rich as the sweet substance at its core.”
—Grace O’Connell, author of Be Ready for the Lightning
“The secret world of bees and the sensuous natural order in all its peril and glory come alive in this mesmerizing, suspenseful novel. Harriet Alida Lye is a writer of prodigious talent and The Honey Farm a thrilling, chills-inducing debut. Brava!”
—Carol Bruneau, award-winning author of Glass Voices and These Good Hands
Alexa Dooseman lives in Portland, Oregon where she writes, reads and walks her dog in the rain. Her humor pieces, essays and book reviews have appeared in a variety of places, including McSweeney’s Internet Tendency, The Rumpus and BuzzFeed. She has her MA in English Language and Literature from the University of Virginia, a degree earned mainly by obsessing over every Emily Dickinson dash. Alexa is currently at work on her debut middle grade magical realism novel. It follows an 11 year-old girl who is willed a mysterious, plot-shifting book, leading her to discover a secret society that has protected the magic behind books throughout history. An excerpt won first place in the middle grade category of the 2016 Pacific Northwest Writers Association Conference Contest in Seattle, WA. In her free time, Alexa can be found hiking with her husband and reading her favorite books to her newborn son.
We’re delighted to welcome CBC’s arts and culture journalist/audio producer Rachel Matlow to Transatlantic Agency as a new client! She’s represented by Samantha Haywood.
Rachel Matlow worked at Q/q for eight crazy years as well as Spark, Day 6, The Sunday Edition, The Doc Project and The Current. Her writing has appeared in The Globe and Mail, National Post, CBC.ca and The Believer. She recently won a 2016 Third Coast International Audio Festival award and a 2017 Gabriel Award for her audio documentary ‘Dead Mom Talking’. She is at work on her debut memoir, a true dark comedy (a traumedy!), about her eccentric mother’s cancer journey called “Dead Mom Walking,” which is best described as a cross between Tig Notaro’s dark comedy One Mississippi and Chris Kelly’s devastatingly funny Other People, with a queer dose of Alison Bechdel and a Jewish dollop of Transparent. Proposal materials available shortly. Contact: samantha@
Alicia Elliott is a Tuscarora writer living in Brantford, Ontario with her husband and daughter. Her writing has been published by The Malahat Review, The Butter, Room, Grain, The New Quarterly, CBC, Globe and Mail, Vice, Maclean’s, Maisonneuve, Today’s Parent and Reader’s Digest. She’s currently Associate Nonfiction Editor at Little Fiction | Big Truths, and a consulting editor with The New Quarterly. Her essay, “A Mind Spread Out on the Ground” won a National Magazine Award. She will be the 2017-2018 Geoffrey and Margaret Andrew Fellow at UBC, working with their Creative Writing Department. Alicia is currently at work on a collection of essays entitled A MIND SPREAD OUT ON THE GROUND, which explores the wider connections between colonialism, race, mental health, poverty, art and parenthood through the lens of her own personal experiences.
Award-winning graphic novelist Scott Chantler‘s BIX, an experimental and mostly wordless black and white graphic biography highlighting the career of Leon Bix Beiderbecke, an early jazz cornet player, who rose rapidly to fame in the 1920s before falling just as quickly from grace due to a wretched dependence on alcohol, to Ed Schlesinger of Gallery 13, Simon & Schuster by Samantha Haywood (North America).
One of Canada’s most respected journalists – currently the host of CBC radio’s flagship program “As It Happens” – Carol Off, relates the gripping story of a family’s desperate attempts to escape Afghan warlords, Taliban oppression, and the persecutions of refugee life.
ALL WE LEAVE BEHIND is an action-packed and complex story of lives intertwined on opposite sides of the world. In the tradition of The Land Between, it explores the intensity of raising a family in a constant state of limbo – all guided by the good faith and convictions of a journalist who could not simply walk away. Not this time. The result is a deeply personal, emotional journey that took over a decade to complete – a journey from one home in search of another.
About the Author
Carol Off has covered conflicts in the Middle East, Haiti, the Balkans and the sub-continent, as well as events in the former Soviet Union, Europe, Asia, the US and Canada. She reported the fallout from the 9/11 disasters with news features and documentaries from New York, Washington, London, Cairo and Afghanistan.
Off is the author of the best-selling books The Lion, the Fox and the Eagle: A Story of Generals and Justice in Yugoslavia and Rwanda, and The Ghosts of Medak Pocket: The Story of Canada’s Secret War, which won the prestigious Dafoe Foundation Award. Bitter Chocolate: Investigating the Dark Side of the World’s Most Seductive Sweet, was a finalist for the National Business Book Award and was nominated for the prestigious Shaughnessy Cohen Award for Political Writing.
Praise for Carol Off
“The CBC reporter steers by her own conscience and that is to tell the story from the point of view of the powerless.” —Vancouver Sun
“One of our country’s finest and most prolific journalists…Off’s journalistic style reveals a deep humanity in the stories she tells about Canadians and people around the world.” —Richard Hardacre, ACTRA (Alliance of Canadian Cinema, Television and Radio Artists) National President
“There are a number of terms one could choose to describe Carol Off…most of which may appear incongruous when taken together. High-school dropout. Single mother. Award-winning filmmaker. Author. Arts reporter. War correspondent. She’s a woman who’s comfortable in many roles…The urge to put the story first is typical of Off…Off loves to report on the artistic scene, with its colourful and passionate characters, and rich and complex narratives. She loves the challenge and the struggle to engage viewers who don’t always care. But even though this beat always piques her curiosity, she is always drawn back to current affairs.” —Alexandra Shimo, The Globe and Mail
“Off writes with a meticulous sense for disconcerting details that resonate with ugly truth.” —Calgary Straight