World French rights to award-winning graphic novelist Scott Chantler‘s forthcoming new original graphic novel, BIX, a mostly wordless black and white graphic biography highlighting the career of Leon Bix Beiderbecke, an early jazz cornet player, who rose rapidly to fame in the 1920s before falling just as quickly from grace due to a wretched dependence on alcohol, to Frederic Gauthier of La Pasteque, NA previously to Ed Schlesinger of Gallery 13, Simon & Schuster by Samantha Haywood. For UK and translation and tv/film rights contact: firstname.lastname@example.org
Italian rights to THINGS TO DO WHEN IT’S RAINING by bestselling author Marissa Stapley sold on a pre-empt to Sperling & Kupfer Editori by Erica Berla of Berla & Griffini on behalf of Samantha Haywood. Rights previously to Nita Pronovost at Simon & Schuster Canada, Brittany Lavery at Graydon House for US, both editions publishing simultaneously in Spring 2018. And Rowohlt Verlag acquired at auction and published first in Germany in Nov 2017. For readers of Jojo Moyes and Cynthia D’Aprix Sweeney, comes a poignant generational story about Mae Summers and Gabe Broadbent, childhood best friends and sweethearts who are reunited as adults at the idyllic Summers’ Inn and dealing with aging parents, heartbreak and secrets that will either bring them together or forever leave them as two islands. For UK, translation and tv/film contact: email@example.com
A memoir/fiction/thought experiment/fantasy by Harold Johnson, author of the bestselling nonfiction work and GG finalist FIREWATER, about his brother Clifford, a scientist in the making whose life was cut too short — To Sarah MacLachlan and Janie Yoon at House of Anansi Press for Fall 2018 (World).
Deal arranged by Stephanie Sinclair.
Giller Prize shortlisted author Sarah Selecky‘s debut novel RADIANT SHIMMERING LIGHT is a nuanced satire that probes the blurred lines between empowerment, spirituality, and consumerism in our online lives. Both hilarious and disconcerting, RADIANT SHIMMERING LIGHT follows Lilian Quick, a 40-year-old struggling pet portrait artist whose life changes drastically when she starts working for her motivational guru cousin Eleven Novak. The job helps Lilian improve her finances, connect with her inner feminine power, and publicly confront a love affair gone wrong, which explodes her online following. Lilian is indebted to Eleven for all her success… But is Eleven really looking out for Lilian’s best interests? Sold to Lea Beresford of Bloomsbury US and Jennifer Lambert of HarperCollins for publication in 2018 by Samantha Haywood of the Transatlantic Agency. Contact for film/tv and world ex: North America: firstname.lastname@example.org
ANZ rights to Harriet Alida Lye‘s THE HONEY FARM, in which two budding artists move to a remote farm and begin a romance, as creepy, inexplicable events, possibly orchestrated by the enigmatic woman in charge, start to unfold around them, to Kimberley Atkins at Penguin Random House Australia (Previous rights sold to Liveright US, in a pre-empt and in Canada to Nimbus Press, Summer 2018) by Stephanie Sinclair.
Kimberley says, “I personally can’t remember a time that I found a novel so atmospheric and foreboding – it’s a really clever thriller that seduces you from the start, then builds to that thunderous conclusion.”
“Beguiled by the promise of a writers’ retreat, Silvia leaves her staunchly Catholic family home for the uncertain territory of a honey farm in Northern Ontario. The Honey Farm offers readers an accomplished meditation on love, creativity and the wonder of the natural world, and a gripping exploration of a community that is perhaps not as it seems.”
—Cathy Marie Buchanan, New York Times bestselling author of The Painted Girls
“I loved this book. The way Harriet Alida Lye captures and registers moments of encounter with gentleness and specificity, like bees bumping against flowers—there’s magic afoot here.” —Lauren Elkin, author of Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London (A New York Times Book Review Editor’s Choice)
“Mysterious, suspenseful, and unnerving, The Honey Farm offers a thrilling narrative that examines the distorted realities and conflicting perceptions that often exist in the quietest places.”
–Iain Reid, bestselling author of I’m Thinking of Ending Things, an NPR Best Book of the Year, 2016
“In THE HONEY FARM, Harriet Alida Lye has created a modern-day Eden, shot through with innocence and foreboding. The landscape of this gripping debut is alive with tension and temptation, and I found myself seduced alongside Lye’s unforgettable characters. Laying bare faith, identity, and love, this book presents a world where nothing is quite as it seems.” —Adrienne Celt, author of The Daughters
“The Honey Farm delves into the intimate mysteries of art, madness, religion, and love through a story built with beautiful language and lush sensory detail. Gothic and subtly menacing, it’s a book as rich as the sweet substance at its core.”
—Grace O’Connell, author of Be Ready for the Lightning
“The secret world of bees and the sensuous natural order in all its peril and glory come alive in this mesmerizing, suspenseful novel. Harriet Alida Lye is a writer of prodigious talent and The Honey Farm a thrilling, chills-inducing debut. Brava!”
—Carol Bruneau, award-winning author of Glass Voices and These Good Hands
World French rights to Martha Baillie‘s exquisite new novel, IF CLARA – looking at family, friendship, memory –when a mysterious manuscript falls into a bed-ridden writer’s lap in this novel of broken bones, Syrian folktales, and plummets of all varieties. To Hermine Naudin of Actes Sud, by Anna Jarota Agency on behalf of Samantha Haywood. Published in North America by Alana Wilcox of Coach House Books in September 2017. For film/tv rights contact: email@example.com
Pitched in the tradition of Snow Falling on Cedars, Daniel Griffin’s TWO ROADS HOME, a literary novel with eco-thriller overtones, reimagining the 1993 Clayoquot Sound protests when the fall-out from a bomb blast at a logging company warehouse ends in the unplanned death of a security guard, to Dirk Vaihiner of Nagel & Kimche of Hanser Verlag by Hannah Fosh of Liepman Agency, on behalf of Samantha Haywood of the Transatlantic Agency, Canada English and US rights previously sold to Freehand Books (September, 2017).
Award-winning graphic novelist Scott Chantler‘s BIX, an experimental and mostly wordless black and white graphic biography highlighting the career of Leon Bix Beiderbecke, an early jazz cornet player, who rose rapidly to fame in the 1920s before falling just as quickly from grace due to a wretched dependence on alcohol, to Ed Schlesinger of Gallery 13, Simon & Schuster by Samantha Haywood (North America).
Award-winning screenwriter, producer and novelist, Ian Weir‘s THE DEATH AND LIFE OF STROTHER PURCELL, a riveting frontier Western epic for fans of Ron Rash, Cormac McCarthy and the HBO hit series Deadwood, a novel about the two cursed brothers, the shifting nature of truth, and the yearnings of that treacherous sonofabitch the human heart, Canada English rights to Bethany Gibson of Goose Lane Editions for publication Fall 2018 by Samantha Haywood of the Transatlantic Agency (for world ex: Canada contact: firstname.lastname@example.org)
In 2016 I’M THINKING OF ENDING THINGS by Iain Reid was simultaneously published in the U.S., Canada, UK, Australia, the Netherlands and Turkey to incredible acclaim! Making Book Soup’s bestseller list in May 2017, the novel was also nominated for the Frank Heygi Award for Emerging Authors, the 2016 Shirley Jackson Award, and named a best book of 2016 by The Globe & Mail, 49th Shelf, Amazon, and NPR. We are absolutely thrilled to share that it has just sold in its 17th territory – a staggering accomplishment! To date the territories include the following:
U.S. (Scout Press), Canada (Simon & Schuster Canada), U.K. & A.N.Z.
(Text Publishing), The Netherlands (Prometheus), Brazil (Rocco), France
(Presses de la Cite), Israel (HaKursa), Denmark (Lindhardt og Ringhof),
Germany (Droemer), Turkey (Teas), Poland (Prosznski), Thailand
(WeLearn), China (United Sky), Korea (Arumdri Media Publishing),
Centrepolygraph Publishers (Russia), and Bjartur & Verold (Iceland).
Check out the praise the novel has received so far below!
“I’m Thinking of Ending Things is an ingeniously twisted nightmare road trip through the fragile psyches of two young lovers. My kind of fun!” -Academy-award winning writer Charlie Kaufman
“The boldest and most original literary thriller to appear in some time. . . In addition to Cronenberg, the ghost of Stephen King hovers over these pages.” –Chicago Tribune
“Your dread and unease will mount with every passing page of this relationship tale.” – Entertainment Weekly
“This is a deliciously frightening novel, Reid has a light, idiosyncratic touch but never lets his vice-like grip of suspense slacken for a second. Once finished, you will be hard pressed not to start the whole terrifying journey all over again.” –The Independent
“I’m Thinking of Ending Things is one of the best debut novels I’ve ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages.” -Scott Heim, author of Mysterious Skin and We Disappear
“An addictive metaphysical investigation into the nature of identity, one which seduces and horrifies in equal measure. Reid masterfully explores the perversity of loneliness and somehow also creates a very entertaining thriller. I found myself yelling at the characters to put their feet on the pedal and drive.” -Heather O’Neill, author of
Lullabies for Little Criminals and Daydreams of Angels
“Here are some near-certainties about I’m Thinking of Ending Things. Number One: You’re going to read it fast. Over the course of an afternoon or an evening. The momentum is unstoppable—once you start, you won’t be able to stop. And Two: once you race to the end and understand the significance of those final pages, you won’t be able to stop thinking about it. This novel will find a spot in your heart and head and it will live there—for days, weeks, months, or (in my case) the rest of your life. Yes. It really is that good.” -Craig Davidson (aka Nick Cutter), author of Cataract City and The Deep
“Iain Reid’s I’m Thinking of Ending Things is an engaging and bizarre dialogue between normality and weirdness, where ‘normal’ equals dishonesty and ‘weird’ is synonymous with vulnerability. In a novel this twisted it shouldn’t come as a surprise that its ending is even stranger than the narrative route that takes us there…but it does. Reid’s novel is a road trip to the heart of creepyness.” – Sjón, author of The Blue Fox, From the Mouth of the Whale, and The Whispering Muse
“This is the most unsettling book I have ever read…deliciously sinister, dark, and harrowing.” –Book Riot
“Iain Reid’s book is somewhat of a philosophical tract as well as a novel. The narrator often muses over big life-and-death ideas such as the one above, but in a disarming way that renders these thoughts to feel like a seamless part of the narrative. It’s an incredibly hard thing to achieve, and Reid has done it to perfection: introducing ideas
to the reader without taking them out of the narrative.” –Electric Literature
“A superbly crafted psychological thriller, with forays into the metaphysical, which promises to keep you up at night.” –Macleans
“I picked up I’m Thinking of Ending Things one afternoon this past summer at a bookstore outside a movie theatre, planning to read the first chapter or so before my matinee started. Two and a half hours later, I’d missed the film entirely…” – Hazlitt
“I’m Thinking of Ending Things rocked my world. This slim novel about a man on a trip with his unhappy girlfriend is a total mindbender, and when it ended, I immediately started flipping back through it to re-experience old scenes with new knowledge. Don’t risk spoiling it for yourself by reading reviews; just be brave and buckle up.” -Powell’s
“I’m Thinking of Ending Things is an utterly compelling modern Gothic that stakes its claim in the inner precincts of horror. Reid builds tension the way Edgar Allen Poe builds brick walls in his basement.” -Wayne Grady, author of Emancipation Day
“Smart, dangerous and spooky as hell. Iain Reid takes you on a harrowing road trip that keeps you riveted until the final destination.” -Brian
Francis, author of Fruit and Natural Order