DEAL NEWS: THE HONEY FARM by HARRIET ALIDA LYE

ANZ rights to Harriet Alida Lye‘s THE HONEY FARM, in which two budding artists move to a remote farm and begin a romance, as creepy, inexplicable events, possibly orchestrated by the enigmatic woman in charge, start to unfold around them, to Kimberley Atkins at Penguin Random House Australia (Previous rights sold to Liveright US, in a pre-empt and in Canada to Nimbus Press, Summer 2018) by Stephanie Sinclair.

Kimberley says, “I personally can’t remember a time that I found a novel so atmospheric and foreboding – it’s a really clever thriller that seduces you from the start, then builds to that thunderous conclusion.”

Advance Praise:

“Beguiled by the promise of a writers’ retreat, Silvia leaves her staunchly Catholic family home for the uncertain territory of a honey farm in Northern Ontario. The Honey Farm offers readers an accomplished meditation on love, creativity and the wonder of the natural world, and a gripping exploration of a community that is perhaps not as it seems.”
—Cathy Marie Buchanan, New York Times bestselling author of The Painted Girls

“I loved this book. The way Harriet Alida Lye captures and registers moments of encounter with gentleness and specificity, like bees bumping against flowers—there’s magic afoot here.” —Lauren Elkin, author of Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London (A New York Times Book Review Editor’s Choice)

“Mysterious, suspenseful, and unnerving, The Honey Farm offers a thrilling narrative that examines the distorted realities and conflicting perceptions that often exist in the quietest places.”
–Iain Reid, bestselling author of I’m Thinking of Ending Things, an NPR Best Book of the Year, 2016

“In THE HONEY FARM, Harriet Alida Lye has created a modern-day Eden, shot through with innocence and foreboding. The landscape of this gripping debut is alive with tension and temptation, and I found myself seduced alongside Lye’s unforgettable characters. Laying bare faith, identity, and love, this book presents a world where nothing is quite as it seems.” —Adrienne Celt, author of The Daughters

“The Honey Farm delves into the intimate mysteries of art, madness, religion, and love through a story built with beautiful language and lush sensory detail. Gothic and subtly menacing, it’s a book as rich as the sweet substance at its core.”
—Grace O’Connell, author of Be Ready for the Lightning

“The secret world of bees and the sensuous natural order in all its peril and glory come alive in this mesmerizing, suspenseful novel. Harriet Alida Lye is a writer of prodigious talent and The Honey Farm a thrilling, chills-inducing debut. Brava!”
—Carol Bruneau, award-winning author of Glass Voices and These Good Hands

Deal News: The Honey Farm by Harriet Alida Lye

For fans of Darren Aronofsky’s Black Swan and readers of Kazuo Ishiguro’s haunting novel Never Let Me Go, comes Harriet Alida Lye‘s beautifully creepy debut, THE HONEY FARM– a psychological thriller about art, bees and love. When beekeeper Cynthia offers budding artists room and board in exchange for help on the farm; a romance begins between two of the workers. Creepy, inexplicable events, possibly orchestrated by the enigmatic woman in charge, start to unfold around them and they can no longer tell if Cynthia is protector or destroyer. US rights sold on a pre-empt to Katie Henderson Adams at Liveright (Canada English previously sold to Whitney Moran at Vagrant Press) for Summer 2018 by Stephanie Sinclair of the Transatlantic Agency. Film/TV handled by Kim Yau at Paradigm.

Deal News: The Honey Farm by Harriet Alida Lye

Canada English rights to Harriet Alida Lye‘s unnerving novel, THE HONEY FARM, for fans of Darren Aronofsky’s Black Swan and readers of Kazuo Ishiguro’s haunting novel Never Let Me Go, THE HONEY FARM is a psychological thriller about art, bees and love – when beekeeper Cynthia offers young artists free room and board in exchange for help on the farm, strange things start happening, resembling the plagues from the Book of Exodus, triggering a Catholic would-be-poet into an increasingly terrorized state where she can no longer tell if Cynthia is her protector or her destroyer – to Whitney Moran at Vagrant Press for Spring 2018 by Stephanie Sinclair.