Happy Book Birthday to CLIFFORD by Harold Johnson!

Happy book birthday to Harold Johnson‘s CLIFFORD, publishing today with House of Anansi Press!

CLIFFORD has been lauded as a “genre-dying” work, bridging the imagined and the true in one breathtaking story that starts with the author going home for his brother Clifford’s funeral and a chair that stands on three legs.

From the publisher: “Exquisitely crafted, funny, visionary, and wholly moving, Clifford is an extraordinary work for the way it defies strict category and embraces myriad forms of storytelling. To read it is to be immersed in a home, a family, a community, the wider world, the entire cosmos.”

Join Harold on October 2nd for a reading of CLIFFORD at McNally Robinson Winnipeg. More information about the event available here: Mcnallyrobinson.com//An-Evening-with-Harold-R-Johnson

Advance Praise and Accolades for CLIFFORD:

On the CBC Books list of “10 Canadian books coming out in August we can’t wait to read

Open Book interview: “Harold R. Johnson’s newest book combines his expertise in fiction and non-fiction, in a genre-blending work that is being hailed as the crown jewel of an already acclaimed oeuvre.”

“Memoir, fantasy, fiction? Genre bends in Clifford. Clifford, refuses to distinguish fact from fantasy or fiction from biography…the story’s meditations on loss, family, and fateful actions prove absorbing from the opening page.”
Toronto StarThestar.com/memoir-fantasy-fiction-genre-bends-in-clifford

Clifford is a luminous, genre-bending memoir. Heartache and hardship are no match for the disarming whimsy, the layered storytelling shot through with love. The power of land, the pull of family, the turbulence of poverty are threads woven together with explorations of reality, tackling truth with a trickster slant.”
—Eden Robinson, author of Son of a Trickster

“Harold R. Johnson is a wonderful writer, and Clifford is his best
work yet. For fans of Jack Finney and Richard Matheson, this terrific book is a wonderfully human tale of memory both bitter and sweet, as well as a poignant exploration of time’s hold over all of us.”
—Robert J. Sawyer, Hugo Award–winning author of Quantum Night

Clifford is a story only Harold Johnson could tell. By turns soft and harsh, intellectual and emotional, Johnson weaves truth, fiction, science, and science fiction into a tapestry that is rich with meaning and maybes. A natural storyteller, Johnson seeks imagined pasts and futurity with equal parts longing and care. This work allows readers and writers the possibility of new and ancient modes of storytelling.”
—Tracey Lindberg, author of Birdie

Clifford is unlike anything I’ve read—it is at once a story of science and magic, love and loss, and a case for the infi nite potential of humanity. It is a book of profound wisdom—an unpacking of the deepest truths of science in an effort to transform the pain of grief and regret into healing and forgiveness.”
—Patti Laboucane-Benson, author of The Outside Circle

Happy US Book Birthday to The Honey Farm by Harriet Alide Lye!

Happy Book Birthday to Harriet Alida Lye on Liveright’s US publication of THE HONEY FARM! The novel was just published in Canada with Vagrant Press and in Australian with Penguin Random House Australia. Film rights have been optioned by Hawkeye Pictures.

THE HONEY FARM is a Barnes & Noble​ Discover Pick! Barnesandnoble.com/2018-bn-discover-great-new-writers-selections and we expect some exciting reviews in the coming weeks.

From the publisher:

Lily King meets Patricia Highsmith in this slyly seductive debut set on an eerily beautiful farm teeming with secrets.

The drought has discontented the bees. Soil dries into sand; honeycomb stiffens into wax. But Cynthia knows how to breathe life back into her farm: offer it as an artists’ colony with free room, board, and “life experience” in exchange for backbreaking labor. Silvia, a wide-eyed graduate and would-be poet, and Ibrahim, a painter distracted by constant inspiration, are drawn to Cynthia’s offer, and soon, to each other.

But something lies beneath the surface. The Edenic farm is plagued by events that strike Silvia as ominous: taps run red, scalps itch with lice, frogs swarm the pond. One by one, the other residents leave. As summer tenses into autumn, Cynthia’s shadowed past is revealed and Silvia becomes increasingly paralyzed by doubt. Building to a shocking conclusion, The Honey Farm announces the arrival of a bold new voice and offers a thrilling portrait of creation and possession in the natural world.

Advance Praise

“An aura of mystery, faintly tinged with menace, permeates Canadian author Lye’s sensuous debut novel. . . . An achingly lyrical excursion into a lost Eden.” — Publishers Weekly

“Lush, poetic. . . . Each lyrical line feels like a gift left at the reader’s altar. A honey-mouthed debut ruminating on creation, possession, and faith.” — Kirkus Reviews

“Lye evokes gothic tropes and an aura of foreboding that recall Shirley Jackson and Daphne du Maurier by way of the tortured Catholicism of Flannery O’Connor.”
-Editor’s Pick Quill and Quire

“Mysterious, suspenseful, and unnerving, The Honey Farm offers a thrilling narrative that examines the distorted realities and conflicting perceptions that often exist in the quietest places.” — Iain Reid, bestselling author of I’m Thinking of Ending Things

“The Honey Farm delves into the intimate mysteries of art, madness, religion, and love through a story built with beautiful language and lush sensory detail. Gothic and subtly menacing, it’s a book as rich as the sweet substance at its core.” — Grace O’Connell, author of Magnified World

“The secret world of bees and the sensuous natural order in all its peril and glory come alive in this mesmerizing, suspenseful novel. Harriet Alida Lye is a writer of prodigious talent and The Honey Farm a thrilling, chills-inducing debut. Brava!” — Carol Bruneau, award-winning author of Glass Voices and These Good Hands

“I loved this book. The way Harriet Alida Lye captures and registers moments of encounter with gentleness and specificity, like bees bumping against flowers – there’s magic afoot here.” — Lauren Elkin, author of Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London

“Harriet Alida Lye has created a modern-day Eden, shot through with innocence and foreboding. The landscape of this gripping debut is alive with tension and temptation, and I found myself seduced alongside Lye’s unforgettable characters. Laying bare faith, identity, and love, this book presents a world where nothing is quite as it seems.” — Adrienne Celt, author of The Daughters

“In this sensuous debut, the honey is golden and enchanting, with an unexpected taste. Relatable as they are, Lye’s characters are true artists—it was impossible to fathom what they’d do next (and with whom!). Impetuous and passionate and utterly unpredictable, you’ll want to spend your entire summer on The Honey Farm.” — Courtney Maum, author of Touch

“Beguiled by the promise of a writers’ retreat, Silvia leaves her staunchly Catholic family home for the uncertain territory of a honey farm in Northern Ontario. The Honey Farm offers readers an accomplished meditation on love, creativity and the wonder of the natural world, and a gripping exploration of a community that is perhaps not as it seems.” — Cathy Marie Buchanan, New York Times bestselling author of The Painted Girls

“The Honey Farm is a delightful and mistily enigmatic story…I am putting The Honey Farm on the 2018 longlist for a ‘Very Best!’ Book Award for fiction.”
The Miramichi Reader

DEAL NEWS: EXACTLY WHAT TO SAY by Phil Jones

Taiwanese rights to EXACTLY WHAT TO SAY by Phil Jones to Domain publishing by Nurnberg Taiwan in association with Stephanie Sinclair of the Transatlantic Agency on behalf of Page Two Strategies

Romanian rights to EXACTLY WHAT TO SAY by Phil Jones to California Fitness Romania by Stephanie Sinclair of the Transatlantic Agency on behalf of Page Two Strategies

ALICIA ELLIOTT WINS 2018 RBC TAYLOR EMERGING WRITER AWARD

We’re proud to announce that Alicia Elliott has been named the winner of the 2018 RBC Taylor Emerging Writer Award by Tanya Talaga! The $10,000 annual prize, awarded by RBC and the Taylor Prize, recognizes a Canadian published author who is working on a first draft of a writing project, especially in literary non-fiction. Alicia will also receive mentorship from Tanya Talaga. Congratulations, Alicia!

Alicia Elliott has been published by The Malahat Review, The Butter, Room, Grain, The New Quarterly, CBC, The Globe and Mail, Vice, Maclean’s, Maisonneuve, Today’s Parent and Reader’s Digest. She’s currently Associate Nonfiction Editor at Little Fiction | Big Truths, and a consulting editor with The New Quarterly. Her essay, “A Mind Spread Out on the Ground” won a National Magazine Award. Alicia was the 2017-2018 Geoffrey and Margaret Andrew Fellow at UBC.

For more information, please visit: (http://www.rbctaylorprize.ca/)

DEAL NEWS: Six foreign rights deals for Michael Bungay Stanier’s THE COACHING HABIT

We’re thrilled to announce six foreign rights deals for Michael Bungay Stanier’s THE COACHING HABIT:
 
Dutch rights to Nubiz by Jeanine Langenberg of the Sebes Agency in association with Stephanie Sinclair on behalf of Page Two Strategies.
 
Italian rights to LSWR by Erica Berla of the Berla & Griffini Rights Agency in association with Stephanie Sinclair on behalf of Page Two Strategies.
 
Spanish rights to Arpa by Julia Garrigos of The Foreign Agency in association with Stephanie Sinclair on behalf of Page Two Strategies
 
German rights to Vahlen Verlag by Hannah Fosh of the Liepman Agency in association with Stephanie Sinclair on behalf of Page Two Strategies.
 
French rights to Diateino by Deborah Druba of Anna Jarota Agency in association with Stephanie Sinclair on behalf of Page Two Strategies.
 
Thai rights to Nokhook Publishing by Pumi Boonyatud of Tuttle-Mori in association with Stephanie Sinclair on behalf of Page Two Strategies.

Welcoming Edward Lee!

Today we’re delighted to welcome Edward Lee to Transatlantic! He’s represented by Stephanie Sinclair.

Edward Lee is a Toronto lawyer and arbitrator. Born and raised in Montreal, his fiction and creative non-fiction have appeared in Descant Magazine, The Toronto Star, The Globe and MailStrike the Wok, an Anthology of Contemporary Chinese Canadian FictionTOK, Writing the New Toronto, and other literary magazines. He is also the author of a radio play, Canasian Eh? His novel, The Laundryman’s Boy, is the story of Hoi Wing Woo, a Chinese teenager who comes to St. Catharines, Ontario in 1913 to work in a hand laundry. Arriving in the late fall, Hoi Wing struggles against the harsh demands of his employer, the bitter climate, and the casual bigotry of the townspeople, but he also experiences the pain and elation of first love when he befriends a young Irish scullery maid.

The novel is loosely based on the lives of the author’s grandfathers, both of whom came to Canada at the turn of the twentieth century.

Welcoming Djamila Ibrahim!

Today we’re welcoming Djamila Ibrahim to Transatlantic as a new client of Samantha Haywood and Stephanie Sinclair’s!

Djamila Ibrahim’s debut short story collection Things Are Good Now was one of Now Magazine’s 10 Books To Be Excited About in 2018, and has made several CBC lists of Books/Writers To Watch For in 2018. Things Are Good Now has been reviewed favourably in the Toronto Star, Literary Review of Canada (LRC), Quill and Quire, This Magazine and Toronto Life. Djamila’s stories have been shortlisted for the University of Toronto’s Penguin Random House Canada Student Award for Fiction and Briarpatch Magazine’s creative writing contest.

Djamila was born in Addis Ababa, Ethiopia. She was formerly a Senior Advisor for Immigration, Refugees and Citizenship Canada.  She now lives in Toronto.

Welcoming Eternity Martis!

We’re honoured to welcome Eternity Martis to Transatlantic!

Eternity is a Toronto-based journalist, and the associate editor at Xtra.

She holds a double honours major from Western University in English Language and Literature and Women’s Studies, as well as a Certificate in Writing. She is also a graduate of Ryerson’s Master of Journalism program.

She writes features, personal essays and longform pieces about race and racism, pop culture, music, relationships and women’s issues. She was nominated for a National Magazine Award in 2017.

Her work has been featured in Vice, Salon, The Huffington Post, CBC, Hazlitt, The Walrus, Canadaland, The Fader and Complex and more.

She is currently working on a collection of personal essays about being a student and woman of colour amidst the growing anti-Black racism, white nationalism and alt-right ideologies in Canada and on Canadian campuses.

Eternity is represented by Stephanie Sinclair.

Deal News: THE SCIENTIST AND THE PSYCHIC by Dr. Christian Smith

North American rights to Dr. Christian Smith’s THE SCIENTIST AND THE PSYCHIC sold on a pre-empt to Amanda Betts and Anne Collins at Random House Canada by Stephanie Sinclair. As a child, Dr. Smith watched his mother become a world-renowned psychic and as an adult, whose education and research challenges the existence of the paranormal, he embarks on a quest to uncover and investigate the science underlying psychic phenomena.

Welcome to Chantal Braganza

Today we’re welcoming Toronto-based writer and editor Chantal Braganza to Transatlantic as a new client of Stephanie Sinclair’s!

By day she produces stories about social justice for Ontario public broadcaster TVO, and writes about books, food and pop culture in her spare time.

Braganza has reported on jazz icons, bank fraudsters and porn academia, and written personal essays on bilingualism, miscarriage and the cultural history of dunking foods. Her work has been nominated multiple times for National Magazine and Digital Publishing awards, and has appeared in the New York Times Magazine, Hazlitt, the Globe and Mail, Toronto Life, Reader’s Digest, FASHION Magazine and Maisonneuve, among others.