The campaign supports the selected title to the highest level to ensure the book is celebrated worldwide.
Spanish rights to Journey Prize winner Naben Ruthnum writing as Nathan Ripley‘s thriller debut FIND YOU IN THE DARK, pitched as reminiscent of The Talented Mr. Ripley, which follows the story of a family man whose obsessive need to right the past by digging up the undiscovered skeletal remains of serial killer victims is about to lead to a terrifyingly real encounter with a killer who is very much alive, to Ediciones Siruela by Marta de Bru de Sala of The Foreign Office on behalf of Stephanie Sinclair and Samantha Haywood, rights previously sold to Atria US, and S&S Canada, Text UK & ANZ, Lubbe Verlag in Germany and eOne on a pre-empt for tv/film.
Doubleday Canada editor Kiara Kent has acquired Canadian English rights to the 2017-2018 Geoffrey and Margaret Andrew Fellow and National Magazine Award–winning Tuscarora writer Alicia Elliott‘s narrative nonfiction debut, A MIND SPREAD OUT ON THE GROUND. It will explore the links of colonialism, mental illness, art and abuse through a blend of cultural criticism, literary criticism, and political and historical discourse along with the author’s personal narrative. The book will publish in spring 2019. The pre-empt deal was arranged by Samantha Haywood and Stephanie Sinclair. World ex: Canada and tv/film contact: email@example.com.
A memoir/fiction/thought experiment/fantasy by Harold Johnson, author of the bestselling nonfiction work and GG finalist FIREWATER, about his brother Clifford, a scientist in the making whose life was cut too short — To Sarah MacLachlan and Janie Yoon at House of Anansi Press for Fall 2018 (World).
Deal arranged by Stephanie Sinclair.
Congratulations to Sharon Bala, who has won the 2017 Writers’ Trust/McClelland & Stewart Journey Prize, for her story “Butter Tea at Starbucks” (first published in The New Quarterly: Canadian Writers & Writing)!
From the Jury: “Tense and expertly plotted, the story is also packed with rich, sensory detail. This is writing that wades, unafraid, into complexity and controversy, but which is nuanced enough to wrangle finely drawn, utterly human characters to moments of aching vulnerability, confused pain, and unexpected joy. Bala takes big risks and reaps big rewards in this unforgettable story.”
The Writers’ Trust of Canada/McClelland & Stewart Journey Prize is awarded annually to an emerging writer of distinction for a short story originally published in a Canadian literary magazine. Previous winners of The Journey Prize include Yann Martel, Alissa York, Jessica Grant, YasukoThanh, Timothy Taylor and Miranda Hill. The prize holds a $10,000 prize for the winner, and $1,000 for the finalist. $2,000 goes to the the journal that originally published the winning story.
Sharon’s highly anticipated debut novel, THE BOAT PEOPLE, is forthcoming from McClleland & Stewart Canada and Doubleday US in January 2018.
For full information about the award, please visit: www.writerstrust.com/Aw
We’re delighted to share that you can now pre-order Sharon Bala‘s highly anticipated debut novel, THE BOAT PEOPLE! The novel officially publishes with Doubleday US and McClelland & Stewart Canada on January 9, 2018. THE BOAT PEOPLE will be exported internationally in March 2018. On her website, Sharon shares some fascinating details about the wonderful designs of each cover: www.sharonbala.com/blog/feast
For readers of Khaled Hosseini and Chris Cleave, THE BOAT PEOPLE is an extraordinary novel about a group of refugees who survive a perilous ocean voyage only to face the threat of deportation amid accusations of terrorism.
When a rusty cargo ship carrying Mahindan and five hundred fellow refugees from Sri Lanka’s bloody civil war reaches Vancouver’s shores, the young father thinks he and his sixyear-old son can finally start a new life. Instead, the group is thrown into a detention processing center, with government officials and news headlines speculating that among the “boat people” are terrorists now posing a threat to Canada’s national security.
Visit the following links to preorder!:
Sharon Bala’s short fiction has won three Newfoundland and Labrador Arts & Letters Awards and been published, or is forthcoming, in: Grain, PRISM international, The New Quarterly, Room, Riddle Fence, and in a collection called Racket. Two of Sharon’s short stories, “Reading Week” and “Butter Tea at Starbucks”, were longlisted for the 2017 Journey Prize with the latter continuing to the shortlist as well. THE BOAT PEOPLE is her debut novel.
Pre-publication Praise for THE BOAT PEOPLE
“This earnest debut novel forcefully explores the issues surrounding immigration…deeply moving and nuanced, The Boat People asks what price a country is willing to pay when public safety comes at the cost of human lives.”
“A real ship of refugees inspires a novel about the messy consequences of war Memorable…Chilling…”
“The Boat People will – and should… – linger long in the mind as an almost Graham-Greene-esque thriller about Canada’s Sri Lankan Tamil diaspora. Homeric in her narrative arc, Bala’s novel is rhetorically purposive – but poetically, softly rhetorical…Bala is ahead by a century in the cricket score of politically powerful contemporary fiction.”
–Atlantic Books Today
“The Boat People is a powerful, gripping moral drama told with deep compassion and humanity. Sharon Bala takes us behind the headlines about refugees and asylum seekers straight into the beating hearts of unforgettable human beings. A timely tale and a beautiful, remarkable debut.”
-Lynne Kutsukake, author of The Translation of Love
“This wise and compassionate novel is an intimate portrait of one of the great humanitarian crises of our time. Its power lies in its breadth, for it examines not just those who come to our country seeking refuge, but also those who determine their fate. As such it implicates us all in the ongoing crisis.”
-Shyam Selvadurai, author of The Hungry Ghosts and Funny Boy
“The Boat People is a beautifully crafted story with a big heart. This novel has an urgency and relevance that cuts to the bone and will resonate with readers of all stripes. Bala offers no easy answers and no political posturing, but her magnificent storytelling will leave readers wondering about their own convictions, asking themselves, ‘What would I do? What would I have done?’ I love this book and, somehow, I empathized and understood every character’s motivation and heart, despite their seemingly opposing stances. The spirits of Bala’s complicated, well-developed characters will linger with you like ghosts; you will look for them in the newspaper, on the evening news, everywhere, and when you encounter them, you will pause and wonder, not only about them but about yourself.”
-Michel Stone, author of Border Child
“The Boat People is a burning flare of a novel, at once incendiary and illuminating. With a rare combination of precision, empathy and insight, Sharon Bala has crafted an unflinching examination of what happens when the fundamental human need for safety collides with the cold calculus of bureaucracy. In the best tradition of fearless literature, it shatters our comfortable illusions about who we really are and reveals just how asymmetrical the privilege of belonging can be. This is a brilliant debut – a story that needs to be told, told beautifully.”
-Omar El Akkad, author of American War
ANZ rights to Harriet Alida Lye‘s THE HONEY FARM, in which two budding artists move to a remote farm and begin a romance, as creepy, inexplicable events, possibly orchestrated by the enigmatic woman in charge, start to unfold around them, to Kimberley Atkins at Penguin Random House Australia (Previous rights sold to Liveright US, in a pre-empt and in Canada to Nimbus Press, Summer 2018) by Stephanie Sinclair.
Kimberley says, “I personally can’t remember a time that I found a novel so atmospheric and foreboding – it’s a really clever thriller that seduces you from the start, then builds to that thunderous conclusion.”
“Beguiled by the promise of a writers’ retreat, Silvia leaves her staunchly Catholic family home for the uncertain territory of a honey farm in Northern Ontario. The Honey Farm offers readers an accomplished meditation on love, creativity and the wonder of the natural world, and a gripping exploration of a community that is perhaps not as it seems.”
—Cathy Marie Buchanan, New York Times bestselling author of The Painted Girls
“I loved this book. The way Harriet Alida Lye captures and registers moments of encounter with gentleness and specificity, like bees bumping against flowers—there’s magic afoot here.” —Lauren Elkin, author of Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London (A New York Times Book Review Editor’s Choice)
“Mysterious, suspenseful, and unnerving, The Honey Farm offers a thrilling narrative that examines the distorted realities and conflicting perceptions that often exist in the quietest places.”
–Iain Reid, bestselling author of I’m Thinking of Ending Things, an NPR Best Book of the Year, 2016
“In THE HONEY FARM, Harriet Alida Lye has created a modern-day Eden, shot through with innocence and foreboding. The landscape of this gripping debut is alive with tension and temptation, and I found myself seduced alongside Lye’s unforgettable characters. Laying bare faith, identity, and love, this book presents a world where nothing is quite as it seems.” —Adrienne Celt, author of The Daughters
“The Honey Farm delves into the intimate mysteries of art, madness, religion, and love through a story built with beautiful language and lush sensory detail. Gothic and subtly menacing, it’s a book as rich as the sweet substance at its core.”
—Grace O’Connell, author of Be Ready for the Lightning
“The secret world of bees and the sensuous natural order in all its peril and glory come alive in this mesmerizing, suspenseful novel. Harriet Alida Lye is a writer of prodigious talent and The Honey Farm a thrilling, chills-inducing debut. Brava!”
—Carol Bruneau, award-winning author of Glass Voices and These Good Hands
From the Publisher: “In Peninsula Sinking, David Huebert brings readers an assortment of Maritimers caught between the places they love and the siren call of elsewhere. From submarine officers to prison guards, oil refinery workers to academics, each character in these stories struggles to find some balance of spiritual and emotional grace in the world increasingly on the precipice of ruin. Peninsula Sinking offers up eight urgent and electric meditations on the mysteries of death and life, of grief and love, and never shies away from the joy and horror of our submerging world.”
“This book is Noah’s freaking Ark. All of life, animal and human, is intimately crammed inside of it and the whole vessel has been expertly designed to stand the surrounding storm. David Huebert has some of the smartest, saddest, funniest, best stuff I’ve read in years. There are scenes and sentences in here that will stick with you for a very long time.”
—Alexander MacLeod, author of Light Lifting
“David Huebert’s Peninsula Sinking is a marvellous combination of a precise mastery of language and sheer confidence in voice – no matter who or what his characters are, no matter where they go, you believe and you see. His is an unusual gift.”
—Russell Wangersky, author of The Hour of Bad Decisions
“[Peninsula Sinking]establishes Huebert as one of Canada’s most impressive young writers … the stories are far-reaching, but tightly woven, each focused on characters in significant moments of development or change.”
—Robert Wiersma, Quill & Quire
“Peninsula Sinking comes on like weather: A gust, then calm, then a whiteout, then sheet lightning followed by a bone-soaking warmth as another treacherous cloudbank forms in the distance. David Huebert’s prose doesn’t flag, not once. Each sentence is alive and crackling. His turns of phrase will catch your breath in your throat. These stories will sweep you up.”
—Laurie D. Graham, author of Rove
“…one of those young writers who has the ability and confidence to present the everyday in extraordinary ways. Many of his characters are seemingly trapped not only by common demands and current circumstances but also by their own desire to be unambitious. His characters might sometimes be a little lost, but like David Huebert’s writing they often soar far above the mundane and demand to be hard.”
—David Layton, author of The Dictator
PRAISE FOR DAVID HUEBERT
“A paean to intimacy and to things rarely seen, ‘Enigma’ is an eloquent meditation on the mystery of life and death, love and grief, both human and animal. This is a vivid personal narrative of remarkable spiritual and emotional grace.”
—CBC Short Story Prize Jury
“I was impressed by the way that “Colloquium: J.T. Henry and Lady Simcoe on Early Ontario Petrocolonialism” repurposes historical texts to frame the ongoing violence of extraction and dispossession within the language of early settlers.”
“These poems have the keys to the zoo, and they’re ready to let the wild rumpus start.”
Please visit the following link for more information: www.biblioasis.com/shop/new-release/peninsula-sinking/
Rights Sold: World English, Biblioasis