Transatlantic is proud to announce that titles from four clients are finalists for the prestigious 2023 Governor General’s Literary Awards!

IN THE UPPER COUNTRY by Kai Thomas (Viking)

NATIONAL BESTSELLER
Shortlisted for the 2023 Atwood Gibson Writers’ Trust Fiction Prize
Shortlisted for the 2023 AMAZON CANADA FIRST NOVEL AWARD

The fates of two unforgettable women—one just beginning a journey of reckoning and self-discovery and the other completing her life’s last vital act—intertwine in this sweeping, deeply researched debut set in the Black communities of Ontario that were the last stop on the Underground Railroad.

Young Lensinda Martin is a protegee of a crusading Black journalist in mid-18th century southwestern Ontario, finding a home in a community founded by refugees from the slave-owning states of the American south—whose agents do not always stay on their side of the border.

One night, a neighbouring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned.

But Cash doesn’t want to confess. Instead she proposes a barter: a story for a story. And so begins an extraordinary exchange of tales that reveal the interwoven history of Canada and the United States; of Indigenous peoples from a wide swath of what is called North America and of the Black men and women brought here into slavery and their free descendents on both sides of the border.

As Cash’s time runs out, Lensinda realizes she knows far less than she believed not only about the complicated tapestry of her nation, but also of her own family history. And it seems that Cash may carry a secret that could shape Lensinda’s destiny.

Sweeping along the path of the Underground Railroad from the southern States to Canada, through the lands of Indigenous nations around the Great Lakes, to the Black communities of southern Ontario, In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.

Kai is represented by Samantha Haywood.

WE SPREAD by Iain Reid (Simon & Schuster)

The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility.

Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”

Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling?

At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

Iain is represented by Samantha Haywood.

UNBROKEN by Angela Sterritt (Greystone)

Unbroken is a remarkable work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.

As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued.

Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver’s Downtown Eastside, and, later on, Northern BC’s Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way.

“She could have been me,” Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.

Angela is represented by Samantha Haywood.

INVISIBLE BOY by Harrison Mooney (Harper Collins/Patrick Crean Editions)

A narrative that amplifies a voice rarely heard—that of the child at the centre of a transracial adoption—and a searing account of being raised by religious fundamentalists

Harrison Mooney was born to a West African mother and adopted as an infant by a white evangelical family. Growing up as a Black child, Harry’s racial identity is mocked and derided, while at the same time he is made to participate in the fervour of his family’s revivalist church. Confused and crushed by fundamentalist dogma and consistently abused for his colour, Harry must transition from child to young adult while navigating and surviving zealotry, paranoia and prejudice.

After years of internalized anti-Blackness, Harry begins to redefine his terms and reconsider his history. His journey from white cult to Black consciousness culminates in a moving reunion with his biological mother, who waited twenty-five years for the chance to tell her son the truth: she wanted to keep him.

This powerful memoir considers the controversial practice of transracial adoption from the perspective of families that are torn apart and children who are stripped of their culture, all in order to fill evangelical communities’ demand for babies. Throughout this most timely tale of race, religion and displacement, Harrison Mooney’s wry, evocative prose renders his deeply personal tale of identity accessible and light, giving us a Black coming-of-age narrative set in a world with little love for Black children.

Harrison is represented by Samantha Haywood.