On a day as significant as Truth and Reconciliation Day, Transatlantic Agency wants to shine a spotlight on our amazing Indigenous authors that recently made the longlist for the First Nation Communities Read Award.
A SEASON IN CHEZGH’UN by Darrel J McLeod
A subversive novel by acclaimed Cree author Darrel J. McLeod, infused with the contradictory triumph and pain of finding conventional success in a world that feels alien.
James, a talented and conflicted Cree man from a tiny settlement in Northern Alberta, has settled into a comfortable middle-class life in Kitsilano, a trendy neighbourhood of Vancouver. He is living the life he had once dreamed of—travel, a charming circle of sophisticated friends, a promising career and a loving relationship with a caring man—but he chafes at being assimilated into mainstream society, removed from his people and culture.
The untimely death of James’s mother, his only link to his extended family and community, propels him into a quest to reconnect with his roots. He secures a job as a principal in a remote northern Dakelh community but quickly learns that life there isn’t the fix he’d hoped it would be: His encounters with poverty, cultural disruption and abuse conjure ghosts from his past that drive him toward self-destruction. During the single year he spends in northern BC, James takes solace in the richness of the Dakelh culture—the indomitable spirit of the people, and the splendour of nature—all the while fighting to keep his dark side from destroying his life.
Darrel, who was represented by Carolyn Forde, is long listed for his award posthumously. Our hearts are with all of Darrel’s loved ones as we celebrate his achievements.
UNBROKEN by Angela Sterritt
Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.
As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued.
Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver’s Downtown Eastside, and, later on, Northern BC’s Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way.
“She could have been me,” Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.
Angela is represented by Samantha Haywood.
A GIRL CALLED ECHO by Katherena Vermette
Métis teenager Echo Desjardins is struggling to adjust to a new school and a new home. When an ordinary history class turns extraordinary, Echo is pulled into a time-travelling adventure. Follow Echo as she experiences pivotal events from Métis history and imagines what the future might hold. This omnibus edition includes all four volumes in the A Girl Called Echo series:
In Pemmican Wars, Echo finds herself transported to the prairies of 1814. She witnesses a bison hunt, visits a Métis camp, and travels the fur-trade routes. Experience the perilous era of the Pemmican Wars and the events that lead to the Battle of Seven Oaks.
In Red River Resistance, we join Echo on the banks of the Red River in the summer of 1869. Canadian surveyors have arrived and Métis families, who have lived there for generations, are losing their land. As the Resistance takes hold, Echo fears for the future of her people in Red River.
In Northwest Resistance, Echo travels to 1885. The bison are gone and settlers from the East are arriving in droves. The Métis face starvation and uncertainty as both their survival and traditional way of life are threatened. The Canadian government has ignored their petitions, but hope rises with the return of Louis Riel.
In Road Allowance Era, Echo returns to 1885. Louis Riel is standing trial, and the government has not fulfilled its promise of land for the Métis. Burnt out of their home in Ste. Madeleine, Echo’s people make their way to Rooster Town, a shanty community on the southwest edges of Winnipeg. In this final instalment, Echo is reminded of the strength and perseverance of the Métis.
Katherena is represented by Marilyn Biderman.
AN ORDINARY VIOLENCE by Adriana Chartrand
Dawn hasn’t spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. But when Dawn’s seemingly perfect life in the big city implodes, she is forced to return to her childhood home and the prairie city that still holds so much pain for her and her fractured family. Cody is released from prison with a mysterious new friend by his side, and Dawn must follow increasingly sinister leads to uncover their nefarious plans to access a dangerous supernatural network. As the lines between right and wrong blur and dissolve, Dawn recons with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living—and where it is humans who carry out the truly monstrous acts.
Adriana is represented by Laura Cameron
THE BERRY PICKERS by Amanda Peters
A four-year-old girl goes missing from the blueberry fields of Maine, sparking a tragic mystery that remains unsolved for nearly fifty years
July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, is seen sitting on her favourite rock at the edge of a field before mysteriously vanishing. Her six-year-old brother, Joe, who was the last person to see Ruthie, is devastated by his sister’s disappearance, and her loss ripples through his life for years to come.
In Maine, a young girl named Norma grows up as an only child in an affluent family. Her father is emotionally distant, while her mother is overprotective of Norma, who is often troubled by recurring dreams and visions that seem to be too real to be her imagination. As she grows older, Norma senses there is something her parents aren’t telling her. Unwilling to abandon her intuition, she pursues her family’s secret for decades.
A stunning debut novel, The Berry Pickers is a riveting story about the search for truth, the shadow of trauma, and the persistence of love across time.
Amanda is represented by Marilyn Biderman.
BENJAMIN’S THUNDERSTORM by Melanie Florence and illustrated by Hawlii Pichette.
A thunderstorm evokes a boy’s family traditions, in this rainy-day story from award-winning author Melanie Florence.
Benjamin loves the rain. He loves splashing through puddles in his bright yellow rain boots and watching the colors of a rainbow in the water as they ripple around his feet. But most of all, Benjamin loves thunder. To him, thunder ― piyêsiwak ― sounds like his grandfather’s drum. It calls to him, like the songs his grandfather plays while his father and other powwow dancers spin and step in time to the drumbeat. As Benjamin hears the thunder rumble overhead, he imagines himself as a powwow dancer. He spins, he taps his feet and he lifts his knees. Faster and faster he twirls, delighted by and filled with the rhythm of piyêsiwak.
This artfully written story from award-winning author Melanie Florence celebrates both the universal joys of playing in the rain and the connections to family traditions that center and ground us. Elements of Cree powwow culture and Cree words for colors and weather are interwoven into the story, with a pronunciation guide in the back matter. The vibrant and eye-catching art by Hawlii Pichette, inspired by the scenery of northern Ontario, adds drama to the pages. This inviting picture book makes a perfect read-aloud for a rainy day, as well as an excellent introduction to Cree cultural traditions, local communities and experiencing nature firsthand.
Melanie is represented by Amy Tompkins.
MINNOW: THE GIRL WHO BECAME PART FISH by Willie Poll and illustrated by Bailey Macabre.
A young Indigenous water protector named Minnow goes on an underwater journey; learning from our ocean-living relatives. When she returns to the surface, she gathers her community to help make a change. This story is told in lyrical rhyme and helps children gain a better respect for Indigenous water and land protectors, the environment and world around them, and helps show children activism at an early age.
Willie is represented by Amy Tompkins and Rob Firing.
Congratulations to all of our fabulous authors!